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Oil paintings on Maritime Silk Road shine in Malaysia 海丝油画闪耀马来西亚

2015-September-21       Source: Newsgd.com

The Maritime Silk Road is a shared memory for people in China and Southeast Asian countries. This time, oil paintings reflecting the old days in Maritime Silk Road go back to Malaysia.

Feng Shaoxie.

First art work about Maritime Silk Road

Feng Shaoxie is a famous oil painter, as well as the vice director of Guangdong Art Institute. He has delicately created 40 pieces of oil paintings on the topic of Maritime Silk Road, telling stories about the past, present and future in the road.

The scenes in the oil paintings of “Kuala Kedah of Malaysia in 11th Century, Chinese Celadon-glazed Dish”, “Kuala Kedah of Malaysia in Ming Dynasty”, “Tanjung Island of Penang in 16th Century, Chinese Merchant Ship in Malacca Strait” and “Today, Malacca Strait” were originated from the landscapes in Malaysia.

This is the first oil painting collections on the topic of “Maritime Silk Road” in the history of Chinese Art. Feng has spent lots of time in reviewing historical materials and visiting historical sites during his creation.

Feng introduced that he could only find limited historical materials, and his creation became very difficult. He insisted that art creation should based on the real history, and he finally chose cultural relics as the origin of his work, hoping to make audiences know more about the history and have more expectations on 21st Century Maritime Silk Road.

著名油画家、广东画院副院长冯少协精心创作的40幅“海上丝绸之路”主题系列油画作品盛装亮相。它们将在此与马来西亚观众亲密接触,以艺术的语言讲述海上丝绸之路的过去、现在和未来,增进他们对21世纪海上丝绸之路美好盛景的共同期待。展期将持续至9月29日。

本次展览的举办地点马六甲,是马来西亚马六甲州的首府,位于马六甲海峡之滨。作为沟通太平洋和印度洋的咽喉要道,马六甲海峡是世界上通航历史最久、航运量最大的海峡之一,也是连接东西方贸易的桥梁。早在600年前,马六甲海峡就已成为古代“海上丝绸之路”的必经之地。马六甲也是今天中国文化在马来西亚保存最丰富的地区。中国航海家郑和七下西洋,就有五次停留于马六甲。至今,当地还保存着纪念郑和的三保山、三保井、三保亭等。

在本次“海上丝绸之路”油画展展出的40幅油画中,《十一世纪马来西亚吉打港·中国青瓷盘》、《明代·马来西亚吉打港》、《十六世纪槟城海珠岛·马六甲海峡的中国商船》、《今日·马六甲海峡》等4幅作品,取材于马来西亚当地的人文景观。

以“海上丝绸之路”为题材进行系列创作,在中国美术史上还尚属首次。40幅画作凝聚冯少协数年来查阅文献、考察遗迹的心血结晶。冯少协表示,由于历史提供的资料极其有限,如何以艺术的视角还原古代“海上丝绸之路”波澜壮阔的历史、展望21世纪“海上丝绸之路”的宏大构想,成为一项艰巨的艺术工程。他认为,历史题材的创作应力求还原历史的真相,让作品勾引起观众对历史的联想。为此,他的作品选择将“海上丝绸之路”相关遗迹和文物作为主要表现对象,力求为时代留下历史的记忆和对历史的思考。

Editor: Nan

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